Interrogating experiences of belonging, Carolina Aguirre brings ambiguous terrains into being using a repertoire of natural inks, shellac and organic pigments. These materials coalesce on the surface of her wood supports to suggest shifting geological landscapes from which body parts and narrative clues emerge and dissolve. Misty imprints of the artist’s own body frame this entanglement of the human and natural worlds within an autoethnographic lens. Working on the floor, Aguirre likens her painting process to ‘excavating’ or ‘gardening’, at times incising directly into the wood panels to cultivate open-ended narratives that hold myriad expressions of belonging and generational memories of migration.
Aguirre’s interdisciplinary practice also includes sculpture, video and installation.