[pɑːtɪk(ə)l] : PG Studios - Online Exhibition 02

4 December 2024 - 26 January 2025
  • [pɑːtɪk(ə)l]

    [pɑːtɪk(ə)l]

    [pɑːtɪk(ə)l]  (pronounced: particle) is a French artist based in Deptford, London. Their meticulously crafted sculptural installations are formed of atomic particles which dynamically create modular structures when assembled together. The name [pɑːtɪk(ə)l]  refers to the laws of physics and the structures of biology, and borrows from the hierarchy of living organisms, molecules and ecosystems to create a language of different spatial forms. At the core of [pɑːtɪk(ə)l] 's practice is a mysterious central figure, who shifts fluidly between guiding and receiving, and using objects to tell stories imbued with energy and movement. Each sculptural installation brings together light, sound, and physical materials, creating an immersive multi-sensory experience, shaped by the principles of physics. 

     

    [pɑːtɪk(ə)l]'s practice is notable for its modular forms, designed to be disassembled and reassembled, and to evolve into new forms based on the spatial context in which they are presented. Embracing flexibility and adaptability, [pɑːtɪk(ə)l]'s structures do not rely on prescribed arrangements or fixed hierarchies. Instead, each component can stand as an independent entity, or can combine into a larger, interconnected ecosystem. It is an approach that mirrors the principles of modularity in biology and physics, and reflects how natural and man-made systems can adapt to changing environments. 

     

    The artist's fascination with modularity also gestures toward a type of futurism inspired by science fiction, where structures evolve and expand in response to the needs of their surroundings. By distancing their practice from any persona through a pseudonym, the artist ensures that their work exists independently of any single identity, creating a lifespan beyond its inventor. [pɑːtɪk(ə)l] is equally committed to using innovative materials and techniques. Contemporary fabrication methods such as 3D modeling, electronic coding and 3D printing are all employed, ensuring the artist sits at the intersection between traditional sculpture and new technologies. 

  • Artworks

    • [pɑːtɪk(ə)l], [blæk/laɪt_001], 2023
      [pɑːtɪk(ə)l], [blæk/laɪt_001], 2023
    • [pɑːtɪk(ə)l], [blæk/laɪt_002], 2024
      [pɑːtɪk(ə)l], [blæk/laɪt_002], 2024
    • [pɑːtɪk(ə)l], [blæk/laɪt_003], 2024
      [pɑːtɪk(ə)l], [blæk/laɪt_003], 2024
    • [pɑːtɪk(ə)l], [blæk/laɪt_004], 2024
      [pɑːtɪk(ə)l], [blæk/laɪt_004], 2024
    • [pɑːtɪk(ə)l], [əˈmiː.bə_003], 2024
      [pɑːtɪk(ə)l], [əˈmiː.bə_003], 2024
    • [pɑːtɪk(ə)l], [wɔːrp_001], 2024
      [pɑːtɪk(ə)l], [wɔːrp_001], 2024
  • About the Artist

    About the Artist

    [pɑːtɪk(ə)l] is a founding member of the artist collective ‘Collective Ending’, which was established in 2018. In 2017, they completed a Bachelor of Fine Arts (BFA) at Chelsea College of Art in London, where they began developing their distinct practice. Since graduating, their work has been featured in a range of exhibitions, both in the UK and internationally. Notable recent shows include Accidentally on Purpose at Turns Gallery in Warsaw (2024), Tomorrow, Today, Yesterday at Modern Forms in London (2023), and Minor Attractions, also in London (2023). They have also exhibited at Co Atto in Milan (2022), as well as in group and solo shows hosted by Collective Ending in London, including Housewarming Launch (2019) and ABSINTHE series (2019). The artist’s work has also been featured in publications, including 'Tomorrow, Today, Yesterday: Sculpting the Future with the Tools of the Past' by Bella Bonner-Evans (2023) and 'Artists' by Brynley Odd Davies (2023).

     
  • In the studio

  • About PG Studios

     PG Studios is Palmer Gallery's online exhibitions programme principally aimed at supporting self-trained artists who did not attend traditional art school. 

     

    In today’s art ecosystem great importance is placed on formal training and art education, often to the detriment of talented creatives who simply choose not to study in a formal context or who are not in a position to take on the financial risk of a fine art degree. Studios are arguably the great leveller across all artists and an omnipresent feature in the creative process: from artists with huge warehouses subsidised by commercial galleries, to those who make work in their bedrooms, nearly every artist has a private space in which they can create. 

     

    PG Studios will highlight the work of different types of artists, putting forward a programme that alternates between those who are self-taught and those with more formal training, focusing on the artist studio as a sacred space of creation that runs like a golden thread through the experience of all artists.