Sean Savage Ferrari: PG Studios - Online Exhibition 03

6 February - 16 April 2025
  • Sean Savage Ferrari

    Sean Savage Ferrari

    Sean Savage Ferrari’s practice is place-based, shifting and changing with the landscapes he harvests materials in. It is an artistic rubric rooted in walking, looking, and gathering.

     

    Originally from the South West of England, Sean began making work by harvesting and gleaning field grains and meadow grass - exploring the process of grass papermaking and the artisanal craft of straw marquetry. The history of rural spaces in England, particularly the parcelling off of woodland and agricultural land, became a vehicle for him to reflect on philosophical, social, economic, political, environmental, and spiritual concerns.

     

    In 2024, after completing his course with the alternative art programme School of the Damned, Sean moved to West London and began incorporating the detritus of urban life into his work. He now gathers materials in the city, spending time on Wormwood Scrubs, in the shadow of the prison and industrial warehouses. His newer works combine natural and synthetic elements, seeking to highlight the beauty of nature that continues to propagate within the urban environment.

  • Artworks

    • Sean Savage Ferrari, 2025.1.1, 2025
      Sean Savage Ferrari, 2025.1.1, 2025
    • Sean Savage Ferrari, Resurge, 2025
      Sean Savage Ferrari, Resurge, 2025
    • Sean Savage Ferrari, 2025.1.2, 2025
      Sean Savage Ferrari, 2025.1.2, 2025
    • Sean Savage Ferrari, Husk, 2025
      Sean Savage Ferrari, Husk, 2025
    • Sean Savage Ferrari, Callus, 2025
      Sean Savage Ferrari, Callus, 2025
    • Sean Savage Ferrari, Veil, 2025
      Sean Savage Ferrari, Veil, 2025
  • About the Artist

    About the Artist

    Deeply engaged with the materiality of landscapes, Seán Savage Ferrari forges a practice that combines and merges craft techniques with found objects and organic matter with industrial refuse. Assembling materials embedded within his local topography, he recontextualises traditional and contemporary approaches to landscape, offering a method that challenges established perspectives of perceiving, depicting and engaging with the environment. Central to his artistic practice is the technique of assemblage, where he amalgamates both natural and cultural elements into his compositions, carrying personal and collective memories tethered to matter. The connection between memory and materiality bridges the tangible and intangible realms, inviting viewers to contemplate the interplay between self and surroundings. His sculptural assemblages encourage introspection, nurturing a deeper understanding of our place within landscapes and ecological communities.

     

    Originally from Gloucestershire, Sean studied for a BA in Visual Cuture at UWE in Bristol, before moving to Brazil to undertake an artist residency in the Amazon rainforest. When he returned to the UK he took part in the alternative art programme School of the Damned (a nomadic art school run by its students). Last year Sean participated in Land, Sea, Air - a group show at Palmer Gallery, as well as Primordial Soups at Mucciaccia Gallery in London. He now lives and works in London.

  • In the studio

  • About PG Studios

     PG Studios is Palmer Gallery's online exhibitions programme principally aimed at supporting self-trained artists who did not attend traditional art school. 

     

    In today’s art ecosystem great importance is placed on formal training and art education, often to the detriment of talented creatives who simply choose not to study in a formal context or who are not in a position to take on the financial risk of a fine art degree. Studios are arguably the great leveller across all artists and an omnipresent feature in the creative process: from artists with huge warehouses subsidised by commercial galleries, to those who make work in their bedrooms, nearly every artist has a private space in which they can create. 

     

    PG Studios will highlight the work of different types of artists, putting forward a programme that alternates between those who are self-taught and those with more formal training, focusing on the artist studio as a sacred space of creation that runs like a golden thread through the experience of all artists.