Débora Delmar investigates the circulation and interrelation of objects, images, and people within the realms of globalization, thereby analysing capitalism’s societal consequences of cultural hegemony, social class issues, and gentrification. Recent works explore physical and symbolic barriers related to property, global trade, and immigration. Her installations often draw from the minimalist aesthetics utilised in non-places to contribute to their omnipresent surveillance. Stemming from her interest in the verbal and contractual agreements inherent to the production of exhibitions, Delmar creates detailed briefs that serve simultaneously as descriptive documents and instructions for her works. The instructions provided range from architectural interventions to the manufacturing of works utilizing local production methods. She also creates works through the purchasing, renting, exchanging, transporting, collecting, and loaning of objects and materials.